Querelle – Ein Pakt mit dem Teufel. BRD. FR. INHALT: Film über die Dreharbeiten zu Der amerikanische Soldat. DOKUMENTATION: / FAUSTRECHT DER FREIHEIT. REGIE: RWF. DREHBUCH. brouciakudlanky.eu › Charts › Toplisten.
Rainer Werner Fassbinder Filme Inhaltsverzeichnis
Angst essen Seele auf. BRD. Die Ehe der Maria Braun. BRD. Effi Briest. BRD. Lili Marleen. BRD. Die Sehnsucht der Veronika Voss. BRD. In einem Jahr mit 13 Monden. BRD. Querelle – Ein Pakt mit dem Teufel. BRD. FR.
Bolwieser. BRD. brouciakudlanky.eu › Charts › Toplisten. Die Sehnsucht der Veronika Voss. BRD.
Enjoy… Fox and his Friends Is it ever truly possible for a man to transcend his god-given status in the world? Read our review of Ali: Fear Eats the Soul 5.
The Bitter Tears of Petra Von Kant Cutting putdowns and fashionista sass talk abound in this dazzling, devastating three-way chamber drama based on real events!
Effi Briest This might be considered as the defining performance by Fassbinder muse, Hanna Scyhgulla, who plays a young girl growing up in German high society and marries before she truly understands the concept of love.
About Little White Lies Little White Lies was established in as a bi-monthly print magazine committed to championing great movies and the talented people who make them.
Both men are betrayed by Franz's jilted lover Joanna who tips off the police. Franz is killed, and the film ends at his laconic funeral.
Similar in plot and characters to both Love is Colder than Death and The American Soldier , Gods of the Plague ' s theme of homoerotic love would reappear repeatedly in the director's films.
Run Amok? Warum läuft Herr R. It was co-directed by Michael Fengler the friend who had been his cameraman on the short film The little Chaos in Only the outlines of the scenes were sketched by Fassbinder.
Fengler and the cast then improvised the dialogue. Fassbinder asserted that this was really Fengler's work rather than his.
Nevertheless, the two were jointly given a directorial award for the project in the German Film prize competition, and Why Does Herr R. Why Does Herr R.
The pressures of middle-class life take a toll on him. A visit by a woman neighbor occasions the incident that gives the film its title.
Irritated by the incessant chat between his wife and her friend while he tries to watch TV, Herr Raab kills the neighbor with a blow to the head with a candle stick and then kills both his wife and their son.
Herr Raab is later found hanged in an office restroom. The main theme of the gangster film The American Soldier Der Amerikanische Soldat is that violence is an expression of frustrated love.
A sudden frenzied outburst of repressed passion, the revelation of desire and a need for love that has been thwarted and comes too late is central here.
Eventually he ends up killing the girlfriend of one of the policemen with his friend Franz Walsh Fassbinder. The film closes with the music of the song "So much tenderness", written by Fassbinder and sung by Gunther Kaufmann.
It pays homage to the Hollywood gangster genre, and also alludes to Southern Gothic race narratives. This avant-garde film, commissioned by the WDR television network, was shot in May and it was broadcast in October the same year.
Despite a temporary success, Boehm's followers were eventually massacred and he was burned at the stake. Fassbinder did not clarify the time frame of the action, mixing medieval elements including some costumes, settings, speech and music with those from other time periods, like the Russian Revolution, the Rococo period, postwar Germany and the Third World.
The Niklashausen Journey , influenced by Jean-Luc Godard 's Weekend and Glauber Rocha 's Antonio das Mortes , consists of only about a dozen or so scenes, most of which are either theatrical tableaux where there is no movement of the characters and the camera darts from speaker to speaker or are shots where characters pace back and forth while giving revolutionary speeches about Marxist struggles and debates on economic theories.
Set in , Whity centers on the title character, a mulatto who works as the obsequious servant in the mansion of a dysfunctional family in the American South.
He is the illegitimate son of the family patriarch and the black cook. Whity tries to carry out all their orders, however demeaning until several of the family members ask him to kill some of the others.
He eventually kills them all and runs away to the desert with a prostitute from the local bar. The film was shot in Almeria , Spain , in widescreen, on locations built for the Westerns made by Sergio Leone.
Its production was particularly traumatic for cast and crew. Whity , a mixture of Euro-western and American South melodrama, was badly received by the critics and became Fassbinder's biggest flop.
The film was neither picked up for theatrical release, nor was there interest for broadcasting it on television. As a result, Whity was only seen as its premiere.
It remained unavailable until the s, when it began to be screened; now, like almost all of Fassbinder's films, it is available on DVD.
A whimsical comedy, Rio das Mortes follows two young men without prospects who try to raise money in order to realize their dream of finding a buried treasure in Peru using a map of the Rio das Mortes.
The girlfriend of one of them finds the notion stupid and wants to put a stop to it, but eventually the two friends find a patroness to finance their adventure.
One of the women flirts from soldier to soldier, but her friend falls in love only to be abandoned. Shot in November , Pioneers in Ingolstaldt was commissioned for television.
Fassbinder wanted to bring the plot from the s to contemporary Germany, but the producers, fearing to offend the German army, refused.
A compromise did not satisfy any of the parties, and midway through the project Fassbinder lost interest in it. The tensions and bitterness that had surrounded the making of Whity led Fassbinder to dismantle the collective project of the anthiteather as a production company.
Instead, he founded his own production company: Tango films. Beware of a Holy Whore was based, like many of Fassbinder's films, on a personal experience — the shooting of his earlier film, the revisionist western Whity The film shows an egomaniacal director, beset by a stalled production, temperamental actors, and a frustrated crew.
When asked what the movie he is making is about, he replies: "brutality. Beware of a Holy Whore marked the end of Fassbinder's avant-garde period.
It presented such an embittered and radical self-critique that his future films would have to be quite different from the ones made before.
After spinning out ten films in not much more than a year this film was shot only a few months after Whity in a frenzied burst of creativity, his anti-film anti-theater drive seemed to conclude.
After Pioneers in Ingolstadt , Fassbinder took an eight-month break from filmmaking. Fassbinder was attracted to these films not only because of their entertainment value, but also for their depiction of various kinds of repression and exploitation.
Fassbinder scored his first domestic commercial success with The Merchant of Four Seasons Händler der vier Jahreszeiten , Hans faces rejection from his family after he violently assaults his wife for not bending to his will.
She leaves him, but after he suffers a heart attack they reunite, though he now has to employ other men.
His restricted ability to function leads him to ponder his own futility. He literally drinks himself to death.
The Merchant of Four Seasons uses melodrama as a style to create critical studies of contemporary German life for a general audience.
It was Fassbinder's first effort to create what he declared he aspired to: a cinematic statement of the human condition that would transcend national boundaries as the films of Michelangelo Antonioni , Ingmar Bergman and Federico Fellini had done.
Loneliness is a common theme in Fassbinder's work, together with the idea that power becomes a determining factor in all human relationships.
His characters yearn for love, but seem condemned to exert an often violent control over those around them. The title character is a fashion designer who lives in a self-created dreamland and the action is restricted mostly to her lavish bedroom.
After the failure of her second marriage, Petra falls hopelessly and obsessively in love with Karin, a cunning working-class young woman who wants a career in modeling.
The model's exploitation of Petra mirrors Petra's extraordinary psychological abuse of her silent assistant, Marlene.
Fassbinder portrays the slow meltdown of these relationships as inevitable, and his actresses there are no men in the film move in a slow, trance-like way that hints at a vast world of longing beneath the beautiful, brittle surface.
Like in many other of his films, Fassbinder analyses lower middle class life with characters who, unable to articulate their feelings, bury them in inane phrases and violent acts.
The story centers on Hanni, a precocious fourteen-year-old schoolgirl who starts a relationship with Franz, a nineteen-year-old worker in a chicken processing plant.
Their romance faces the opposition of the girl's conservative parents. Franz is sentenced to nine months in prison for having sex with a minor.
When he is released on probation, they continue their relationship and Hanni becomes pregnant. Afraid of her father's anger, she persuades Franz to kill him.
Back in prison, Franz is told by Hanni that their child died at birth and that their love was "only physical". Originally made for German television, Jailbait was based on a play by Franz Xaver Kroetz , who violently disagreed with Fassbinder's adaptation, calling it pornographic.
His only science fiction film , World on a Wire Welt am Draht , , was a departure for Fassbinder. An adaptation of the pulp sci-fi novel Simulacron-3 by Daniel F.
Galouye , it was made as a two-part, minute production for television using 16mm film stock during a hiatus from the lengthy production of Effi Briest and in the same year as Martha and Ali: Fear Eats the Soul.
A story of realities within realities, World on a Wire follows a researcher, working at the institute of cybernetics and future science, who begins to investigate the mysterious death of his mentor.
He falls deep into the cover up behind a computer capable of creating an artificial world with units living as human beings unaware that their world is just a computer projection.
Made in contemporary Paris, the film was stylistically inspired by Jean-Luc Godard 's Alphaville and in its theme of artificial humans wanting to reach real life anticipated Ridley Scott 's Blade Runner This film was shot in fifteen days in September with a very low budget, ranking among Fassbinder's quickest and cheapest.
Nevertheless, the impact on Fassbinder's career and in overseas release remains cemented as a great and influential work. It won the International Critics Prize at Cannes and was acclaimed by critics everywhere as one of 's best films.
It details the vicious response of family and community to a lonely aging white cleaning lady who marries a muscular, much younger black Moroccan immigrant worker.
The two are drawn to each other out of mutual loneliness. When their relationship becomes known, they experience various forms of hostility and public rejection.
Gradually, their relationship is tolerated, not out of real acceptance, but because those around the good-hearted old lady realize their ability to exploit her is threatened.
As the external pressures over the couple begin to subside, internal conflicts surface. Fassbinder's main characters tend to be naifs, either men or women, who are rudely, sometimes murderously disabused of their romantic illusions.
Shot on 16mm film and made for television, Martha is a melodrama about cruelty in a traditional marriage. The plot focuses on the title character, a spinster librarian.
Soon after the death of her father while on vacation in Rome , Martha meets a wealthy civil engineer who sweeps her off her feet. They encounter again at a wedding in her hometown of Constance and marry.
However their married life becomes an exercise for her husband to express his sadism and for Martha to endure her masochism. Her husband shows his desire for her violently leaving marks on her body.
He obsessively controls her life, her diet, her taste in music and her interest until she is confined to their house. Martha's initially positive wish to be liked by her oppressive and abusive husband push her to such an extreme that she becomes deranged leading to her own permanent physical paralysis.
Effi Briest was Fassbinder's dream film and the one in which he invested the most work. While he normally took between nine and 20 days to make a film, this time it required 58 shooting days, dragged out over two years.
Set in the closed, repressive Prussian society of the Bismarck era, the film paints a portrait of a woman's fate completely linked to an unbending and utterly unforgiving code of social behavior.
The plot follows the story of Effi Briest, a young woman who seeks to escape her stifling marriage to a much older man by entering into a brief affair with a charming soldier.
Six years later, Effi's husband discovers her affair with tragic consequences. The film served as a showpiece for Fassbinder's muse and favorite actress Hanna Schygulla , whose detached acting style fitted the roles the director created for her.
Fassbinder made her a star, but artistic differences while making Effi Briest created a split that lasted for some years, until Fassbinder called her back to take the role of Maria Braun.
Like a Bird on a Wire Wie ein Vogel auf dem Draht is a forty-minute television production featuring Brigitte Mira , the main actress in Fear eats the Soul , singing cabaret songs and love ballads from the s and s.
Between songs, she drinks and talks about her husbands. The title is borrowed from Leonard Cohen 's song " Bird on the Wire ", with which the program ends.
Fassbinder considered this project "an attempt to do a show about the Adenauer era. For us it certainly wasn't entirely successful.
But the film does reveal the utter repulsiveness and sentimentality of the time" he explained. Many of Fassbinder's films deal with homosexuality, in keeping with his interest in characters who are social outsiders, but he drew away from most representations of homosexuals in films.
In an interview at the Cannes Film Festival , Fassbinder said about Fox and His Friends : "It is certainly the first film in which the characters are homosexuals, without homosexuality being made into a problem.
In films, plays or novels, if homosexuals appear, the homosexuality was the problem, or it was a comic turn. But here homosexuality is shown as completely normal, and the problem is something quite different, it's a love story, where one person exploits the love of the other person, and that's the story I always tell".
In Fox and His Friends Faustrecht der Freiheit , a sweet but unsophisticated working-class homosexual wins the lottery and falls in love with the elegant son of an industrialist.
His lover tries to mold him into a gilt-edged mirror of upper-class values, all the while appropriating Fox's lottery winnings for his own ends.
He ultimately destroys Fox's illusions, leaving him heartbroken and destitute. Fassbinder worked within the limits of Hollywood melodrama, though the film is partially based on the plight of his then lover Armin Meier to whom the film is dedicated.
The film is notable for Fassbinder's performance as the unlucky Fox, in a self-directed starring role. Fox and His Friends has been deemed homophobic by some and overly pessimistic by others.
The film's pessimism is far outweighed by Fassbinder's indictment of Fox as an active participant in his own victimization, a familiar critique found in many of the director's films.
In Mother Küsters Goes to Heaven Mutter Küsters Fahrt zum Himmel , a melodrama , Emma Küsters becomes the center of media and political attention after her husband, a factory worker, killed his supervisor or his supervisor's son and then himself when lay offs were announced.
The film drew on both Sirk's melodramas and Weimar-era workers' films, connecting the genres to tell a political coming-of-age story about Mother Küsters, who seeks to understand what led to her husband's actions and how to respond.
The media, communists, anarchists and even her own family members all take advantage of Mother Küsters's tragedy to advance their own agendas.
She becomes addicted to valium and alcohol overwhelmed by an irrational anxiety and fear of her inexorable descent into madness. Fear of Fear is similar in theme to Martha , which also portrays the effect of a dysfunctional marriage in an oppressed housewife, the central role was again played by Margit Carstensen.
His life is recounted in a series of flashbacks. A hard working man, Peter spends his spare time building a house for his cold unloving parents.
He marries and finds a job in another city, but in his desperate yearning for affection he tries to buy the love of those around him with expensive gifts which soon makes him fall into a spiral of debt.
When he sees his own unrequited love for his parents reflected during an argument in a bar, he kills a man who serves as a proxy for his father.
Show all 14 episodes. Fassbinder, credit only. Erzähler voice, uncredited. Show all 13 episodes.
Short thanks. Fassbinder TV Movie documentary Self. Self uncredited. Self - Kandidat. Documentary Self. Deutsch TV Movie documentary Self.
Related Videos. Alternate Names: Franz Alsch R. Fassbinder Rainer W. Fassbinder Fassbinder R. Franz Walsch Franz Walsh. Edit Did You Know?
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