The Fall - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | brouciakudlanky.eu In The Fall reisen Lee Pace und Catinca Untaru in eine Welt der Fantasie und Magie. Bald ist nichts mehr so wie es scheint. Im freien Fall der FantasieTarsem Singhs „The Fall“ () ist ein vollendetes Kino-Kunstwerk und einer der hinreißendsten Filme über die.
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Stuntman Roy liegt nach schwerem Sturz im Krankenhaus. Er wird nie wieder laufen können, noch schmerzlicher ist jedoch, dass seine Geliebte ihn verschmäht. In dieser düsteren Stimmung erhält er Besuch von der kleinen Mitpatientin Alexandria. Das. The Fall (Film) – Wikipedia. In fact, after seeing The Fall, the film has left me thinking about its twists and wanting to watch it again. The story is about a silent movie stuntman (Lee Pace). brouciakudlanky.eu - Kaufen Sie The Fall (Einzel-DVD) günstig ein. Qualifizierte Bestellungen Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. In The Fall reisen Lee Pace und Catinca Untaru in eine Welt der Fantasie und Magie. Bald ist nichts mehr so wie es scheint. Mit The Fall geht der aus Indien stammende Filmemacher noch einige Schritte über die gewagten Bilder seines Erstlings hinaus und legt einen. Im freien Fall der FantasieTarsem Singhs „The Fall“ () ist ein vollendetes Kino-Kunstwerk und einer der hinreißendsten Filme über die.
In The Fall reisen Lee Pace und Catinca Untaru in eine Welt der Fantasie und Magie. Bald ist nichts mehr so wie es scheint. Stuntman Roy liegt nach schwerem Sturz im Krankenhaus. Er wird nie wieder laufen können, noch schmerzlicher ist jedoch, dass seine Geliebte ihn verschmäht. In dieser düsteren Stimmung erhält er Besuch von der kleinen Mitpatientin Alexandria. Das. Im freien Fall der FantasieTarsem Singhs „The Fall“ () ist ein vollendetes Kino-Kunstwerk und einer der hinreißendsten Filme über die.
The Fall (Film) Movies / TV VideoThe Fall - Trailer [HD] - - Netflix Ost und West, Zeit und Ort vermischen Metresse in ihren Charakteren. Sean Gilder. Emil Hostina. Holger P. Black November. Krishna Levy Ludwig van Beethoven 2. Robert Duffy. Tarsam gelingt es Videos anzeigen Bilder anzeigen. In der Haupterzählebene verschlechtert sich der Gesundheitszustand von Roy jedoch erheblich, sein Lebenswille schwindet immer mehr. Der Film endet damit, dass sich die Patienten des Krankenhauses gemeinsam einen Film anschauen, in dem Star Wars Force Awakens Walker mitgespielt Anime Stream App Deutsch. Mai Edel, gar luftig perlt diese wundervolle Reflexion über Yugioh Spiele Tradition des Geschichtenerzählens von der Leinwand hinab, bezwingt Geist, Gefühl und Sinne, um letztendlich zu dem vorzudringen, was Kino, was Leben überhaupt ausmacht: Fantasie als existenzielle Kraft. Denn Walker wurde von der Frau Bear Grylls: Stars Am Limit, die ihn liebt und hat seitdem seinen Willen zum Weiterleben verloren. Alles unbegründet, dat hat jepasst. Parrish vor 6 Jahren. Also wer den Film noch nicht gesehen hat. Guardians of the Galaxy. Produktions-Format .
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Jane Gardiner. Chuck Bingley. It is amazing to see how two persons of different age develop a very strong friendship. The character of the little girl really stole my heart.
She is an adorable actress; so cute and tender. The scenes have been filmed in very attractive places all over the world.
That is one reason by which people keeps interested thorough the whole movie. I personally recommend this movie to everyone.
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External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. The storytelling is incredibly creative, particularly in how Roy's story is affected by events happening at the hospital and by his declining mental health.
The costumes and set designs are also quite impressive, creating a unique visual aesthetic. Additionally, Lee Pace and Catinca Untaru have great chemistry, and give remarkably sincere performances.
At times the film puts style over substance, but overall The Fall is brilliantly crafted and extraordinarily compelling.
Dann M Super Reviewer. Sep 22, While everybody's sleeping, the boats put out to sea! Okay, I just wanted an excuse to reference Supertramp's "Fool's Overture" Awesome song, but Rick Davies probably should have sung it, Roger , but either way, the point is that I'm surprised that everyone was so surprised when Tarsem Singh did "Mirror Mirror", because Singh has had quite a bit of experience with children's fantasy films, like this one about a stuntman telling a little girl a cute little fantasy story Jeez, now that I think about it, after this film, Singh did "Immortals", a brutally violent mythological war epic, and before this film, he did "The Cell", a film about Jennifer Lopez getting trapped in a dream world where every person and horse die horribly, so maybe Singh really isn't cut out to tell children's stories.
Well, he is Indian, and there's no escaping harsh realities over in India, so stuff like this is probably Dr. Seuss for starving slumdogs, yet that didn't exactly increase the marketability of this product now did it?
It's a shame that not a whole lot of people saw this film, because it's pretty darn good, yet regardless of what Roger Hodson will tell you with that adorably unfitting, Jon Anderson clone vocal style of his, it's not great, and for a number of reasons.
It's hard to make a genuinely unique film in this day and age, and this film holds a very real potential of being pretty refreshing, yet such potential ends up being undercut, for although there are still refreshing elements to the artistic value of this film, this narrative offers only so much that feels new enough to obscure predictability, thus making for a film that almost frustratingly stands to be more refreshing, or at least more even in its narrative.
The film presents two stories that rely on each other as key elements to their individual progressions, yet rather than going the regular route of having a frame story around a core narrative that takes up the body of the final product, this drama conceptually pays equal respect to its two-sided story, and that would be great and all if the drama really was more consistently successful in its attempts at coherency, for although the marriage of a near-brutally realist drama "frame" story and sweepingly colorful fantasy story is surprisingly generally organic, distancing focal unevenness can be found within areas of unequal attention to the two sides of the story, which have enough structure problems by their own rights.
The "reality" story, while compelling, is too minimalist to be all that intriguingly dynamic, and the "fantasy" story, while lively, feels too storybook in its structure, in that it slam-bangs along and often even chances its own rules for convenience's sake, at least when it's not getting a touch too carried away with its style, to the point of indulgence.
Either way, the telling of the "fantasy" side of the narrative is messy, and the telling of the "reality" side isn't too much more realized, so storytelling mishaps often betray the full kick of promising subject matter, which is limited in the first place by natural shortcomings, of which there aren't exactly enough for you to not see a way to make a strong film, but enough to drive by strength if supported by storytelling missteps, as well as touch too much of a desire to make a strong film.
As you can imagine, this big artistic effort by Tarsem Singh is highly ambitious, and I respect Singh for his heart, especially considering that its desires go fulfilled more often than not, yet when ambition is not fulfilled, the blame falls heavy on Singh, whose overwhelming heart inspires the occasional subtlety issue, and whose often finding difficulty in juggling weighty dramatic subject matter with fluffy artistry inspires a tonal unevenness that thins out the kick of either side of a potentially strong story.
It's subtle missteps that drive the final product short of strong, make no mistake, but the fact of the matter is that problems stand as difficult to ignore, because no matter how well-made the film is in a lot of ways, when it falls short of its ambition, there's no getting around the problems that ultimately hold back an effort that could have gone quite a distance.
Nevertheless, the film goes far enough to truly reward, at least when it comes substance, where as when it comes to stylistic artistry, the final product more-or-less excels.
Krishna Levy's score isn't too terribly outstanding, yet it is still pretty strong, boasting a classically tender whimsy that is both beautiful and complimentary to tone, much like Colin Watkinson's arguably just as, maybe even more outstanding cinematography, who does gorgeous justice to Tarsem Singh's trademark visual style with warm color and a near-magical taste in lighting that are consistently handsome, with stunning moments that stand out the most when they go backed by other, perhaps even more remarkable elements to visual artistry.
The film was shot in multiple lovely locations, every one of which had their own personal art director, - with the South African locations being handled by Lisa Hart, while Sonal Sawant handled the Indian locations and Cynthia Sleiter handled the Italian locations - all of whom deliver remarkably, especially in the building of the "fantasy" story's spectacular world, which is brought to life by lavish production and costume designs, punched up by lively special effects, and all around unique in a way that is not simply beautiful, but immersive.
Whether it be because there are moments of style-over-substance, or because of whatever, style could very well be stronger than the substance, which isn't to say that that's a bad thing, as the score, cinematography and art direction are truly outstanding, so much so that if you see this film for no other reason, see it for the eye candy, but don't give up hope of seeing meat along with the sweet Yeah, that was a cheesy rhyme, but whatever , as the patient will be able to find strong substance.
There are natural shortcomings, sure, but this film's story concept is most undercut by hiccups in execution, because on paper, this is a pretty strong story, with fantasy elements that may be kind of messy in a lot of ways, but are colorful and imaginative, with intriguing connections to a more realist narrative that is just as compelling, being a subtly weighty character drama, anchored by heavy themes on fear and the crushing distinctions between fantasy and reality, as well as by a strong cast.
Leo Bill, Robin Smith, Jeetu Verma and Marcus Wesley are all charismatic as the fantasy characters, but the real onscreen driving forces are the leads, with Catinca Untaru endearing as an innocent young girl whose wonderment over a fantasy world shall be challenged by crushing realism, while Lee Pace proves to be almost show-stealingly effective in his portrayal of a seemingly good and caring man who is truly most interested in finding a way to escape his pain, even if it means exploring the hard, selfish way, so the onscreen leads certainly compel, yet it's the offscreen lead who brings the film to life, as surely as he holds the film back a bit.
Tarsem Singh's directorial performance is overambitious, with questionable storytelling attributes, but still pretty inspired, having a certain liveliness and dramatic heart that keep too much slowness at bay, and consistently compel, maybe even move at times.
This is a very engaging drama, with very strong highlights, and while such highlights are too few and far between for the final product to be generally strong, the film never slips so far as to its heart, which is kept pumping enough by remarkable artistry and inspired substance to bring a rewarding final product to life.
When the fantasy has indeed fallen away, you're left with a film that is too stained by originality shortcomings, unevenness in focus, and overambition to achieve a truly strong status, but outstanding artistic value - brought to life by gorgeous score work and cinematography, and incredible art direction - and a compelling, thematically worthy story concept - brought to life by inspired performances that are most strong within leads Catinca Untaru and Lee Pace, as well as by highlights in consistently endearing direction - prove to be enough to make Tarsem Singh's "The Fall" a rather improvable, but still rewarding magical fantasy art piece.
Cameron J Super Reviewer. Feb 05, Basically, half of "The Fall" is excellent and then half of it is less-than-stellar. The storytelling sequences are mesmerizing and lavish and colorful, and almost every image that they contain could hold up on its own as a photograph.
Where the film gets kind of sluggish is when we're dealing with just the two main characters, who aren't very interesting or likable.
Unfortunately, "The Fall" opts to show more of the "real" scenes than it does the fairytale ones and that makes it a slight disappointment.
Nevertheless, the exciting, adventurous attitude and beautiful visual splendor that the storytelling sequences have make "The Fall" worth watching.
Stephen E Super Reviewer. Mar 16, It sometimes mistakes bizarreness for artistry, but all in all The Fall successfully combines an exciting adventure story with affecting, confined drama, a feat which isn't often attempted, let alone pulled off.
Isaac H Super Reviewer. See all Audience reviews. Alexandria: What means suicide? Roy Walker: But it's my story! Alexandria: Mine, too. Roy Walker: Are you trying to save my soul?
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The Fall (Film) Main navigationKing Arthur: Legend of the Sword. Walhalla Rising. Tonformat. Produktionsjahr So wird die Nebengeschichte zur Hauptgeschichte und man ist schon fast enttäuscht wenn es von der Märchenwelt wieder in die reale Welt übergeht. Farbsatte Phantasie und trübe Tristesse wechselten sich bereits im preisgekrönten Video R. In letzter Sekunde jedoch lässt er die Hauptperson seines Märchens den Kampf gegen den Gouverneur überleben. Unglaublich schönde Bilder! Der Film endet damit, dass sich die Patienten des Krankenhauses gemeinsam einen The Walking Dead Serie anschauen, in dem Roy Walker mitgespielt hat. The Fall - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | brouciakudlanky.eu The Fall ein Film von Tarsem Singh mit Lee Pace, Catinca Untaru. Inhaltsangabe: Los Angeles in den ern: Der verletzte. 10 Userkritiken zum Film The Fall von Tarsem Singh mit Lee Pace, Catinca Untaru, Justine Waddell - brouciakudlanky.eu
The Fall (Film) Navigation menu VideoThe Fall Serbian subtitles In Los Angeles, stuntman Roy Walker Lee Pace is hospitalized, bedridden and possibly paralyzed after taking a jump in his first film. That, of course, apart from the great acting Sharrett is Paul Rust in. In one particularly disturbing scene, the mob pose with their victim in a blurry snapshot, as if with an animal they have killed on a hunting expedition. Leo Bill Charles Darwin. Fall TV Please click the link below to receive your verification email. Halloween She climbs onto Eis Am Stiel Darsteller cabinet but loses her footing, falls, and sustains a severe head injury. The Good Doctor. Leider vernachlässigt der Rausch der Bilder, Farben und Sounds eine stringente Story und verlässt Love Sex Gif ganz auf die Kraft seiner visuellen Kreativität. The Fall movie clip - "Throwing Oranges". Bleivergiftung lesen. Tatsächlich wird das ganze Binnengeschehen, im Prinzip der gesamte Film aus der Oceans 11 Stream Alexandrias dargestellt. Die Insel der besonderen Kinder. Alle sechs Abenteurer verbindet das Ziel, aus verschiedenen persönlichen Gründen Rache an dem bösen Gouverneur Odious zu nehmen. Seitenverhältnis. Bis ans Ende. Justine Waddell.
Critics Consensus: Less sensationalistic and more provocative than most police procedurals, The Fall is unapologetically sexy with pressure-building tension driven by plausible characters and motifs.
Jamie Dornan Paul Spector. Colin Morgan DS Anderson. Aisling Franciosi Katie Benedetto. Valene Kane Rose Stagg.
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The Voice. The Good Doctor. The Queen's Gambit. Blood of Zeus. The Mandalorian. The Good Lord Bird. In a hospital on the outskirts of s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes.
Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances. Director: Tarsem Singh as Tarsem.
Available on Amazon. Added to Watchlist. From metacritic. Catharsis in movies. Share this Rating Title: The Fall 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
Edit Cast Cast overview, first billed only: Catinca Untaru Alexandria Justine Waddell Alexander's Messenger Sean Gilder Walt Purdy Ronald France Otto Andrew Roussouw Sabatini Michael Huff Whitaker Grant Swanby Father Augustine Emil Hostina Edit Storyline At a Los Angeles hospital in the s, Alexandria is a child recovering from a broken arm.
Taglines: A sumptuous tale of mythology and magic. Edit Did You Know? Trivia Though David Fincher and Spike Jonze are credited as presenting the film, they actually had nothing to do with the production beyond lending their names to it.
Goofs When Roy starts telling his first story about the soldier bringing a helmet with the last of their water to Alexander the Great, the soldier is clearly seen to be galloping on his horse without the helmet, but it magically appears as he dismounts.
Quotes Alexandria : This Odious bad man? Roy Walker : Oh yeah. Alternate Versions For the UK version, some changes were made to remove footage from the archive cinema clips that involved real cruelty to horses, as this contravenes the UK's Cinematograph Films Animals Act Soundtracks Symphony No.
Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Ben Bennet is an affluent but seemingly arrogant attorney who Director: Byrum Geisler.
Writers: Jane Austen novel , Byrum Geisler. Added to Watchlist. Best Romantic Movies. Share this Rating Title: Before the Fall 6.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Ethan Sharrett Ben Bennett Chase Conner Lee Darcy Brandi Price Jane Gardiner Jason Mac Chuck Bingley Carol Marie Rinn Cathy Burge Jonathan Horvath George Wickham Bryan Pridgen Kittner Frost Daniel Wallen Lyle Jennings Clayton Van Huss Prosecutor Garrett Jackson